Women's History Month

Based on more than two years of fieldwork conducted in a Yemeni community in southeastern Michigan, this unique study examines Yemeni American girls' attempts to construct and make sense of their identities as Yemenis, Muslims, Americans, daughters of immigrants, teenagers, and high school students. All American Yemeni Girls contributes substantially to our understanding of the impact of religion on students attending public schools and the intersecting roles school and religion play in the lives of Yemeni students and their families. Providing a valuable background on the history of Yemen and the migration of Yemeni people to the United States, this is an eye-opening account of a group of people we hear about every day but about whom we know very little. Through a series of intensive interviews and field observations, Loukia K. Sarroub discovered that the young Muslim women shared moments of optimism and desperation and struggled to reconcile the America they experienced at school with the Yemeni lives they knew at home. Most significant, Sarroub found that they often perceived themselves as failing at being both American and Yemeni. Offering a distinctive analysis of the ways ethnicity, culture, gender, and socioeconomic status complicate lives, Sarroub examines how these students view their roles within American and Yemeni societies, between institutions such as the school and the family, between ethnic and Islamic visions of success in the United States. Sarroub argues that public schools serve as a site of liberation and reservoir of contested hope for students and teachers questioning competing religious and cultural pressures. The final chapter offers a rich and important discussion of how conditions in the United States encourage the rise of extremism and allow it to flourish, raising pressing questions about the role of public education in the post-September 11 world. All American Yemeni Girls offers a fine-grained and compelling portrait of these young Muslim women and their endeavors to succeed in American society, and it brings us closer to understanding an oft-cited but little researched population.

NATIONAL BOOK AWARD WINNER * NEW YORK TIMES BESTSELLER * A renowned historian traces the life of a single object handed down through three generations of Black women to craft a "deeply layered and insightful" (The Washington Post) testament to people who are left out of the archives. WINNER: Frederick Douglass Book Prize, Harriet Tubman Prize, PEN/John Kenneth Galbraith Award, Anisfield-Wolf Book Award, Ralph Waldo Emerson Prize, Lawrence W. Levine Award, Darlene Clark Hine Award, Cundill History Prize, Joan Kelly Memorial Prize, Massachusetts Book Award ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Slate, Vulture, Publishers Weekly "A history told with brilliance and tenderness and fearlessness."--Jill Lepore, author of These Truths: A History of the United States. In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley's granddaughter Ruth embroidered this family history on the sack in spare, haunting language. Historian Tiya Miles carefully traces these women's faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward, in the United States. All That She Carried is a poignant story of resilience and love passed down against steep odds. It honors the creativity and resourcefulness of people who preserved family ties when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today.

A bold and gripping graphic history of the fight for women's rights by the New York Times bestselling author of Hood Feminism "A beautifully drawn, hold-no-punches, surprisingly deep dive through the history of women's rights around the world, which will entrance kids and adults alike."-N. K. Jemisin, Hugo Award-winning author of the Broken Earth trilogy. The ongoing struggle for women's rights has spanned human history, touched nearly every culture on Earth, and encompassed a wide range of issues, such as the right to vote, work, get an education, own property, exercise bodily autonomy, and beyond. Amazons, Abolitionists, and Activists is a fun and fascinating graphic novel-style primer that covers the key figures and events that have advanced women's rights from antiquity to the modern era. In addition, this compelling book illuminates the stories of notable women throughout history-from queens and freedom fighters to warriors and spies-and the progressive movements led by women that have shaped history, including abolition, suffrage, labor, civil rights, LGBTQ liberation, reproductive rights, and more. Examining where we've been, where we are, and where we're going, Amazons, Abolitionists, and Activists is an indispensable resource for people of all genders interested in the fight for a more liberated future.

2018 Outstanding Academic Title, given by Choice Magazine An exploration of twentieth and twenty-first century U.S. Muslim womanhood that centers the lived experience of women of color For Sylvia Chan-Malik, Muslim womanhood is constructed through everyday and embodied acts of resistance, what she calls affective insurgency. In negotiating the histories of anti-Blackness, U.S. imperialism, and women's rights of the twentieth and twenty-first centuries, Being Muslim explores how U.S. Muslim women's identities are expressions of Islam as both Black protest religion and universal faith tradition. Through archival images, cultural texts, popular media, and interviews, the author maps how communities of American Islam became sites of safety, support, spirituality, and social activism, and how women of color were central to their formation. By accounting for American Islam's rich histories of mobilization and community, Being Muslim brings insight to the resistance that all Muslim women must engage in the post-9/11 United States. From the stories that she gathers, Chan-Malik demonstrates the diversity and similarities of Black, Arab, South Asian, Latina, and multiracial Muslim women, and how American understandings of Islam have shifted against the evolution of U.S. white nationalism over the past century. In borrowing from the lineages of Black and women-of-color feminism, Chan-Malik offers us a new vocabulary for U.S. Muslim feminism, one that is as conscious of race, gender, sexuality, and nation, as it is region and religion.

"She fought a lonely and almost single-handed fight, with the single-mindedness of a crusader, long before men or women of any race entered the arena; and the measure of success she achieved goes far beyond the credit she has been given in the history of the country."--Alfreda M. Duster. Ida B. Wells is an American icon of truth telling. Born to slaves, she was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She co-founded the NAACP, started the Alpha Suffrage Club in Chicago, and was a leader in the early civil rights movement, working alongside W. E. B. Du Bois, Madam C. J. Walker, Mary Church Terrell, Frederick Douglass, and Susan B. Anthony. This engaging memoir, originally published 1970, relates Wells' private life as a mother as well as her public activities as a teacher, lecturer, and journalist in her fight for equality and justice. This updated edition includes a new foreword by Eve L. Ewing, new images, and a new afterword by Ida B. Wells' great-granddaughter, Michelle Duster.

"A thrilling, cinematic story. I loved every minute I spent with these bold, daring women whose remarkable journey is the stuff of American legend." --Karen Abbott, New York Times bestselling author of Liar, Temptress, Soldier, Spy The Boys in the Boat meets A League of Their Own in this true story of a Depression-era championship women's team. In the early 1930s, during the worst drought and financial depression in American history, Sam Babb began to dream. Like so many others, this charismatic Midwestern basketball coach wanted a reason to have hope. Traveling from farm to farm near the tiny Oklahoma college where he coached, Babb recruited talented, hardworking young women and offered them a chance at a better life: a free college education in exchange for playing on his basketball team, the Cardinals.   Despite their fears of leaving home and the sacrifices that their families would face, the women joined the team. And as Babb coached the Cardinals, something extraordinary happened. These remarkable athletes found a passion for the game and a heartfelt loyalty to one another and their coach--and they began to win. Combining exhilarating sports writing and exceptional storytelling, Dust Bowl Girls takes readers on the Cardinals' intense, improbable journey all the way to an epic showdown with the prevailing national champions, helmed by the legendary Babe Didrikson. Lydia Reeder captures a moment in history when female athletes faced intense scrutiny from influential figures in politics, education, and medicine who denounced women's sports as unhealthy and unladylike. At a time when a struggling nation was hungry for inspiration, this unlikely group of trailblazers achieved much more than a championship season.

In this first book-length study of the role women played in two of the most momentous revolutions of the twentieth century, Tabea Alexa Linhard provides a comparative analysis of works on the Mexican Revolution (circa 1910-1919) and the Spanish Civil War (1936-1939). Linhard was inspired by the story of the "Trece Rosas," about thirteen young women who, after the Spanish Civil War ended with the Nationalists' victory, were executed. One of the women, Julia Conesa, was particularly influential. In a letter she wrote to her mother a few hours before she faced the firing squad, she said, "Do not allow my name to vanish in history." Fearless Women in the Mexican Revolution and the Spanish Civil War is Linhard's attempt to respond to Julia's last request. Although female figures such as the soldaderas of the Mexican Revolution and the milicianas of the Spanish Civil War are abundant in writings about revolution and war, they are often treated as icons, myths, and symbols, displacing the women's particular and diverse experiences. Linhard maintains a focus on these women's stories, which until now-when presented at all-have usually been downplayed in literary canons, official histories, and popular memories. She addresses several existing gaps in studies of the intersections of gender, revolution, and culture in both the Mexican and the Spanish contexts. The book is grounded in transatlantic studies, an emerging field that bridges disciplinary boundaries between Peninsular studies and Latin American studies. In this case, the connection between the Mexican Revolution and the Spanish Civil War is a natural consequence of the disjointed conditions out of which arose the cultural texts in which fearless women appear. Fearless Women in the Mexican Revolution and the Spanish Civil War will be especially valuable to scholars of early twentieth-century Peninsular and Mexican literature and culture. It will also be a useful resource in gender studies and interdisciplinary approaches to the study of revolution, war, and culture.

The untold story of five women who fought to compete against men in the high-stakes national air races of the 1920s and 1930s -- and won. Between the world wars, no sport was more popular, or more dangerous, than airplane racing. Thousands of fans flocked to multi-day events, and cities vied with one another to host them. The pilots themselves were hailed as dashing heroes who cheerfully stared death in the face. Well, the men were hailed. Female pilots were more often ridiculed than praised for what the press portrayed as silly efforts to horn in on a manly, and deadly, pursuit. Fly Girls recounts how a cadre of women banded together to break the original glass ceiling: the entrenched prejudice that conspired to keep them out of the sky. O'Brien weaves together the stories of five remarkable women: Florence Klingensmith, a high-school dropout who worked for a dry cleaner in Fargo, North Dakota; Ruth Elder, an Alabama divorcee; Amelia Earhart, the most famous, but not necessarily the most skilled; Ruth Nichols, who chafed at the constraints of her blue-blood family's expectations; and Louise Thaden, the mother of two young kids who got her start selling coal in Wichita. Together, they fought for the chance to race against the men -- and in 1936 one of them would triumph in the toughest race of all. Like Hidden Figures and Girls of Atomic City, Fly Girls celebrates a little-known slice of history in which tenacious, trail-blazing women braved all obstacles to achieve greatness.

Food blogs are everywhere today but for generations, information and opinions about food were found in the food sections of newspapers in communities large and small. Until the early 1970s, these sections were housed in the women's pages of newspapers--where women could hold an authoritative voice. The food editors--often a mix of trained journalist and home economist--reported on everything from nutrition news to features on the new chef in town. They wrote recipes and solicited ideas from readers. The sections reflected the trends of the time and the cooks of the community. The editors were local celebrities, judging cooking contests and getting calls at home about how to prepare a Thanksgiving turkey. They were consumer advocates and reporters for food safety and nutrition. They helped make James Beard and Julia Child household names as the editors wrote about their television appearances and reviewed their cookbooks. These food editors laid the foundation for the food community that Nora Ephron described in her classic 1968 essay, "The Food Establishment," and eventually led to the food communities of today. Included in the chapters are profiles of such food editors as Jane Nickerson, Jeanne Voltz, and Ruth Ellen Church, who were unheralded pioneers in the field, as well as Cecily Brownstone, Poppy Cannon, and Clementine Paddleford, who are well known today; an analysis of their work demonstrates changes in the country's culinary history. The book concludes with a look at how the women's pages folded at the same time that home economics saw its field transformed and with thoughts about the foundation that these women laid for the food journalism of today.

World War I prompted the first massive organized propaganda campaign of the twentieth century. Posters, pamphlets, and other media spread fear about the "Hun," who was often depicted threatening American families in their homes, while additional campaigns encouraged Americans and their allies to support the war effort. With most men actively involved in warfare, women and children became a special focus--and a tool--of social manipulation during the war. For Home and Country examines the propaganda that targeted noncombatants on the home front in the United States and Europe during World War I. Cookbooks, popular magazines, romance novels, and government food agencies targeted women in their homes, especially their kitchens, pressuring them to change their domestic habits. Children were also taught to fear the enemy and support the war through propaganda in the form of toys, games, and books. And when women and children were not the recipients of propaganda, they were often used in propaganda to target men. By examining a diverse collection of literary texts, songs, posters, and toys, Celia Malone Kingsbury reveals how these pervasive materials were used to fight the war's cultural battle.

Never tell a woman where she doesn't belong. In 1932, Roy Chapman Andrews, president of the men-only Explorers Club, boldly stated to hundreds of female students at Barnard College that "women are not adapted to exploration," and that women and exploration do not mix. He obviously didn't know a thing about either... The Girl Explorers is the inspirational and untold story of the founding of the Society of Women Geographers--an organization of adventurous female world explorers--and how key members served as early advocates for human rights and paved the way for today's women scientists by scaling mountains, exploring the high seas, flying across the Atlantic, and recording the world through film, sculpture, and literature. Follow in the footsteps of these rebellious women as they travel the globe in search of new species, widen the understanding of hidden cultures, and break records in spades. For these women dared to go where no woman--or man--had gone before, achieving the unthinkable and breaking through barriers to allow future generations to carry on their important and inspiring work. The Girl Explorers is an inspiring examination of forgotten women from history, perfect for fans of bestselling narrative history books like The Radium Girls, The Woman Who Smashed Codes, and Rise of the Rocket Girls.

For fans of Radium Girls and history and WWII buffs, The Girls Who Stepped Out of Line takes you inside the lives and experiences of 15 unknown women heroes from the Greatest Generation, the women who served, fought, struggled, and made things happen during WWII--in and out of uniform, for theirs is a legacy destined to embolden generations of women to come. The Girls Who Stepped Out of Line are the heroes of the Greatest Generation that you hardly ever hear about. These women who did extraordinary things didn't expect thanks and shied away from medals and recognition. Despite their amazing accomplishments, they've gone mostly unheralded and unrewarded. No longer. These are the women of World War II who served, fought, struggled, and made things happen--in and out of uniform. Young Hilda Eisen was captured twice by the Nazis and twice escaped, going on to fight with the Resistance in Poland. Determined to survive, she and her husband later emigrated to the U.S. where they became entrepreneurs and successful business leaders. Ola Mildred Rexroat was the only Native American woman pilot to serve with the Women's Airforce Service Pilots (WASP) in World War II.  She persisted against all odds--to earn her silver wings and fly, helping train other pilots and gunners. Ida and Louise Cook were British sisters and opera buffs who smuggled Jews out of Germany, often wearing their jewelry and furs, to help with their finances. They served as sponsors for refugees, and established temporary housing for immigrant families in London. Alice Marble was a grand-slam winning tennis star who found her own path to serve during the war--she was an editor with Wonder Woman comics, played tennis exhibitions for the troops, and  undertook a dangerous undercover mission to expose Nazi theft. After the war she was instrumental in desegregating women's professional tennis. Others also stepped out of line--as cartographers, spies, combat nurses, and troop commanders. Retired U.S. Army Major General Mari K. Eder wrote this book because she knew their stories needed to be told--and the sooner the better. For theirs is a legacy destined to embolden generations of women to come.

Grit, Not Glamour celebrates the contributions of our foremothers who devoted their lives to farming and ranching related pursuits. Some embraced their roles; others detested the life; often their contributions were minimized or overlooked. Readers will meet a community of spunky, brazen, plucky, (and in a couple of cases dishonest), hardworking gals who donned trousers, tucked long hair under a straw hat, nurtured plants and baby livestock, studied the markets, fretted over the weather, disseminated vital information, scraped animal dung from their boots, enjoyed a few hours of deep sleep afforded by hours in the fresh country air, only to rise early the next day and start all over again. Anyone who has lived and worked on a family farm or ranch may relate to the experiences of the women who are profiled. Town dwellers and urbanites generations removed from the farm or their rural communities, who grew up hearing grandparents' and great-grandparents' stories, will appreciate these women who may or may not resemble in any way their foremothers.

A volume in Contemporary Perspectives on Multicultural Gifted Education Rejection. Loss. Confusion. Pain. Our past and our future are intertwined. Each distinct memory becomes one life. What once hurt, eventually heals, and the lesson (or lessons) to be learned becomes one with our soul and our spirit. Our experiences provide strength instead of destruction. Our great-grandmothers, grandmothers, mothers -- all women of power who came before us -- were great descendants of the coastal lands of West Africa. They arrived in strange lands with their Gumbo - -their memories, rhythms, ingenuity, creativity, strength, and compassion. Their lived stories and conversation were recipes mixed with unique combinations of ingredients, dropped into the cast iron pot -- stirred, dropped in, seasoned, dropped in, stirred again, and again, and again, until done. This Gumbo is savory like the soul, carefully prepared, recipes rich with what our foremothers brought with them from their homeland. They brought the best of what they had to offer. Gumbo or Gombo is a Bantu word meaning 'okra'. Okra is a rich vegetable that serves as the base (or gravy) for a delicately prepared stew. (Today's Gumbo cooks use a 'roux' as the base- see the recipe on page 3). Gumbo's West African origins have been modified over the past two centuries by people of varied ancestry: Native American, German, Spanish, and French (Moss, 2014). It is essential to understand the manner in which Gumbo is prepared: each ingredient must be placed into the stew at its specified time so that it can cook in and savor its own flavor. When completed, Gumbo is usually served over grits or rice. Gumbo has become a cornerstone of life in African-descended communities across the south and southwest spanning from South Carolina to Louisiana and Texas. Gumbo is a treasure... a reminder of the greatness that lived in the village in a time of strength and abundance...a reminder of the resilience and richness of our people over generations. This book -- a collection of memoirs written by Women of Color is shared to inspire and motivate readers. The authors of these precious, soulful stories are from across the globe and represent various backgrounds and professions. What these women have in common, though, is their drive to tell their story. Stories of pain, discovery, strength, and stories of beginnings. Many of the experiences, as difficult as they may have been, made the women who they are today. Telling these stories to a new generation will empower and encourage them in their experiences no matter how troubling or challenging (Harris, 2015). These stories, like our foremothers offering their Gumbo, present the best these women have to offer. These authors want the world to know that deep inside of each of us is a rich, vibrant, purposeful beginning. As our lives develop and we are "stirred and stirred again", like Gumbo, our experiences begin to shape who we are and who we become. When the stirring is complete, a comforting meal -- one that says no matter what has gone into the dish, it's going to be amazingly magnificent!! The authors hope these stories will inspire and motivate girls and Women of Color to trust their experiences -- whether good or bad -- to help them become. Our becoming means that after all that life has thrown our way, we are strong, purposeful, and powerful people who are a great treasure to a world that sometimes rejects and ignores our existence. Embedded in this book are stories of abuse and triumph, sadness and victory, disappointment and resilience, discovery and victory. We are very proud to be the keepers of these rich recipes. They represent the first in what we hope will become a collection or series of inspirational memoirs that will be shared to help others live out their destiny and become the women they were born to be.

Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells--taken without her knowledge--became one of the most important tools in medicine: The first "immortal" human cells grown in culture, which are still alive today, though she has been dead for more than sixty years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb's effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave. Henrietta's family did not learn of her "immortality" until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family--past and present--is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of. Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family--especially Henrietta's daughter Deborah. Deborah was consumed with questions: Had scientists cloned her mother? Had they killed her to harvest her cells? And if her mother was so important to medicine, why couldn't her children afford health insurance? Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences.

Spanning two centuries, this collection documents the lives of fifteen remarkable Latinas who witnessed, defined, defied, and wrote about the forces that shaped their lives. As entrepreneurs, community activists, mystics, educators, feminists, labor organizers, artists and entertainers, Latinas used the power of the pen to traverse and transgress cultural conventions.

Narrating the well-lived life of the "Chinese Madame Curie" -- a recipient of the first Wolf Prize in Physics (1978), the first woman to receive an honorary doctorate from Princeton University, as well as the first female president of the American Physical Society -- this book provides a comprehensive and honest account of the life of Dr Wu Chien-Shiung, an outstanding and leading experimental physicist of the 20th century.

La dramaturga ganadora del premio Pulitzer y coguionista de In the Heights cuenta en sus memorias la experiencia de crecer en un barrio pobre de Filadelfia junto a su numerosa familia puertorriqueña. "Quiara Alegría Hudes está en su propia liga. Sus frases te dejarán sin aliento. Qué suerte tenemos de que sea ella quien cuente nuestras historias". - Lin-Manuel Miranda, creador de Hamilton y In the Heights Quiara Alegría Hudes era la niña de ojos penetrantes que permanecía resguardada en las escaleras de la casa de su abuela en el norte de Filadelfia mientras observaba a su familia bailar en su estrecha cocina. Le maravillaban sus tías, tíos y primos, pero vivía aterrada por los secretos de la familia y las historias ocultas del barrio--todo esto mientras intentaba encontrar su propia voz entre el mar de lenguajes que la rodeaban, tanto en el habla como por escrito: inglés y español, cuerpos y libros, arte occidental y altares sagrados. Su familia se convirtió en su panteón privado, un círculo de poderosas mujeres parecidas a orishas con trágicas heridas del mundo real, y se comprometió a contar sus historias, pero primero tendría que bajarse de las escaleras y unirse al baile. Tendría que encontrar su propio lenguaje. Tejiendo el amor de Hudes por los libros con las historias de su familia, las lecciones aprendidas en el norte de Filadelfia y aquellas adquiridas en la universidad de Yale, esta es una exploración del hogar, la memoria y la pertenencia, narrada por una niña obsesionada que luchó por convertirse en artista para poder capturar el mundo que amaba en toda su belleza, delicada y salvaje. ENGLISH DESCRIPTION GOOD MORNING AMERICA BUZZ PICK * The Pulitzer Prize-winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse. LONGLISTED FOR THE ANDREW CARNEGIE MEDAL * ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot * "Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories."--Lin-Manuel Miranda, award-winning creator of Hamilton and In the Heights   Quiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio--even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance. She'd have to find her language. Weaving together Hudes's love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging--narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.

Molly Brant, a Mohawk girl born into poverty in 1736, became the consort of Sir William Johnson, one of the wealthiest white men in 18th-century America. Suspected of being a spy for the British during the American Revolution, Molly was forced to flee with her children or face imprisonment. Because of her ability to influence the Mohawks, her assistance was needed at Fort Niagara, and she found refuge there. A respected Mohawk matron, Molly became a vital link between her people and the Canadian Indian Department. Like her brother Joseph, she worked hard to keep five of the Six Nations on the side of the British throughout the war, believing the empty promises that all would be restored to them once the conflict ended. Although she was seen as fractious and demanding at times, her remarkable stamina and courage gained the respect of the highest levels of Canadian government.

The Narrative of Sojourner Truth is the memoir of an African-American woman who struggled against the bondages of slavery in the early 1800s. It is one of the most famous slave narratives of all time and is one of the most important documents of slavery ever written. This is her story. This is her voice. Dictated to her friend Olive Gilbert and first published privately in 1850, this partial autobiography of the woman who became a pioneer in the struggles for racial and sexual equality is a lens into the little-known world of northern slavery and an inspiring account of a black woman striving for personal and political empowerment. Truth was born into slavery around 1797 but managed to escape with her infant daughter in 1826. She found refuge in the home of Isaac and Maria Van Wagenen of New Paltz, New York and in 1828, became the first black woman to win a case against a white man when she sued to recover her son, who was still enslaved. Born Isabella Baumfree, Sojourner changed her name to signify her belief that God had tasked her with the mission to go forth and preach the message of abolition. Her strong spirituality helped her overcome the many struggles she faced in life and enabled her to become a leading abolitionist and champion of women's rights. This narrative bears witness to Sojourner Truth's thirty years of bondage and her transformation into an extraordinary abolitionist, feminist, orator, and preacher. She is the passionate woman on the Smithsonian Institution's list of "100 Most Significant Americans. It is a must read for anyone interested in that dark period of time in American history.

"What roles do literary and community texts and social media play in the memory, politics, and lived experience of those dispossessed?" Fitzgerald asks this question in her introduction and sets out to answer it in her study of literature and social media by (primarily) Native women who are writing about and often actively protesting against displacement caused both by forced relocation and environmental disaster. By examining a range of diverse materials, including the writings of canonical Native American writers such as Louise Erdrich, Linda Hogan, and Elizabeth Cook-Lynn, and social media sites such as YouTube and Facebook, this work brings new focus to analyzing how indigenous communities and authors relate to land, while also exploring broader connections to literary criticism, environmental history and justice, ecocriticism, feminist studies, and new media studies.

This political history of middle-class African American women during World War I focuses on their patriotic activity and social work. Nearly 200,000 African American men joined the Allied forces in France. At home, black clubwomen raised more than $125 million in wartime donations and assembled "comfort kits" for black soldiers, with chocolate, cigarettes, socks, a bible, and writing materials. Given the hostile racial climate of the day, why did black women make considerable financial contributions to the American and Allied war effort? Brown argues that black women approached the war from the nexus of the private sphere of home and family and the public sphere of community and labor activism. Their activism supported their communities and was fueled by a personal attachment to black soldiers and black families. Private Politics and Public Voices follows their lives after the war, when they carried their debates about race relations into public political activism.

Love triangles and Pythagorean women. In Pythagorean Women, classical scholar Sarah B. Pomeroy discusses the groundbreaking principles that Pythagoras established for family life in Archaic Greece, such as constituting a single standard of sexual conduct for women and men. Among the Pythagoreans, women played an important role and participated actively in the philosophical life. While Pythagoras encouraged women to be submissive to men, his reasoning was based on the desire to preserve harmony in the home. Pythagorean Women provides English translations of all the earliest extant examples of literary Greek prose by Neopythagorean women, shedding light on their attitudes about marriage, the home, music, and the cosmos. Pomeroy sets the Pythagorean and Neopythagorean women vividly in their historical, ecological, and intellectual contexts, illustrated with original photographs of sites and artifacts known to these women.

A New York Times, USA Today, Wall Street Journal, and Amazon Charts Bestseller! "The glowing ghosts of the radium girls haunt us still." --NPR Books  Discover the gripping and inspiring true story of The Radium Girls, a groundbreaking work by acclaimed author Kate Moore. Immerse yourself in this compelling narrative that unravels the extraordinary lives of these fearless women who fought against all odds. The Curies' newly discovered element of radium makes gleaming headlines across the nation as the fresh face of beauty, and wonder drug of the medical community. From body lotion to tonic water, the popular new element shines bright in the otherwise dark years of the First World War. Meanwhile, hundreds of girls toil amidst the glowing dust of the radium-dial factories. The glittering chemical covers their bodies from head to toe; they light up the night like industrious fireflies. With such a coveted job, these "shining girls" are the luckiest alive--until they begin to fall mysteriously ill. But the factories that once offered golden opportunities are now ignoring all claims of the gruesome side effects, and the women's cries of corruption. And as the fatal poison of the radium takes hold, the brave shining girls find themselves embroiled in one of the biggest scandals of America's early 20th century, and in a groundbreaking battle for workers' rights that will echo for centuries to come. With meticulous research and a keen eye for detail, Kate Moore delves into the lives of these remarkable individuals, capturing their resilience, strength, and unwavering determination. Through their stories, she exposes the shocking negligence and corporate cover-ups that plagued the radium industry, ultimately sparking a revolution in workplace safety. The Radium Girls is a masterful blend of historical account and heartfelt tribute. Moore's vivid prose brings these forgotten heroines back to life, ensuring that their sacrifices and triumphs are forever etched in our collective memory. As you turn each page, you'll be captivated by their indelible legacy and inspired by their enduring spirit. The Radium Girls is a must-read for history enthusiasts, feminists, and anyone seeking a remarkable story of resilience and empowerment.

A personal account of life in the orbit of Mao and Zhao En-Lai and one woman's effort to tell what it was like to be at the center of the storm. The history of China in the twentieth century is comprised of a long series of shocks: the 1911 revolution, the civil war between the communists and the nationalists, the Japanese invasion, the revolution, the various catastrophic campaigns initiated by Chairman Mao between 1949 and 1976, its great opening to the world under Deng, and the Tiananmen Square Massacre. Yuan-tsung Chen, who is now 90, lived through most of it, and at certain points in close proximity to the seat of communist power. Born in Shanghai in 1929, she came to know Zhou En-Lai-second only to Mao in importance--as a young girl while living in Chongqing, where Chiang Kai--Shek's government had relocated to, during the war against Japan. That connection to Zhou helped her save her husband's life in Cultural Revolution. After the communists took power, she obtained a job in one of the culture ministries. While there, she frequently engaged with the upper echelon of the party and was a first-hand witness to some of the purges that the regime regularly initiated. Eventually, the commissar she worked under was denounced in 1957, and she barely escaped being purged herself. Later, during Cultural Revolution, she and her husband were purged and sent to live in a rough, poor area. She and her husband finally moved to Hong Kong, with Zhou's special permission, in 1971. A first-hand account of what life was like in the period before the revolution and in Mao's China, The Secret Listener gives a unique perspective on the era, and Chen's vantage point provides us with a new perspective on the Maoist regime-one of the most radical political experiments in modern history and a force that genuinely changed the world.

Black women physicians' stories have gone untold for far too long, leaving gaping holes in American medical history, in women's history, and in black history. It's time to set the record straight No real account of black women physicians in the US exists, and what little mention is made of these women in existing histories is often insubstantial or altogether incorrect. In this work of extensive research, Jasmine Brown offers a rich new perspective, penning the long-erased stories of nine pioneering black women physicians beginning in 1860, when a black woman first entered medical school. Brown champions these black women physicians, including the stories of: · Dr. Rebecca Lee Crumpler, who graduated from medical school only fourteen months after the Emancipation Proclamation was signed and provided medical care for the newly freed slaves who had been neglected and exploited by the medical system. · Dr. Edith Irby Jones, the first African American to attend a previously white-only medical school in the Jim Crow South, where she was not allowed to eat lunch with her classmates or use the women's bathroom. Still, Dr. Irby Jones persisted and graduated from medical school, going on to directly inspire other black women to pursue medicine such as . . . · Dr. Joycelyn Elders, who, after meeting Dr. Irby Jones, changed her career ambitions from becoming a Dillard's salesclerk to becoming a doctor. In 1993, President Bill Clinton appointed Dr. Elders as the US surgeon general, making her the first African American and second woman to hold this position. Brown tells the stories of these doctors from the perspective of a black woman in medicine. Her journey as a medical student already has parallels to those of black women who entered medicine generations before her. What she uncovers about these women's struggles, their need to work twice as hard and be twice as good, and their ultimate success serves as instruction and inspiration for new generations considering a career in medicine or science.

In the second half of the 20th century, men and women of uncommon vision and commitment drove the phenomenal growth of that uniquely American institution of higher education, the community college. Students of this movement are well aware of the contributions of the men who served as college presidents, researchers, and national leaders - but what women made significant contributions that have not before been brought to light? Mildred Montag envisioned and implemented community-college based programs to train nurses. Dorothy Knoell used her prodigious research skills to show that community colleges prepare students well to succeed after transfer. Mildred Bulpitt and Carolyn Desjardins helped create and run leadership workshops that resulted in hundreds of women moving up the administrative pipeline. And a dynamic group of women were behind the successful replication of community-based colleges through the establishment of the American Indian tribal colleges. These stories and a dozen more are captured in this book. Those who are familiar with community colleges will welcome having these stories documented at last, and those new to the field will be inspired by how these women came to exert such "unexpected influence" on these remarkable educational institutions.

"A fresh feminist appraisal of the pop culture canon." --Publishers Weekly How bitches, trainwrecks, shrews, and crazy women have taken over pop culture and liberated women from having to be nice. Female characters throughout history have been burdened by the moral trap that is likeability. Any woman who dares to reveal her messy side has been treated as a cautionary tale. Today, unlikeable female characters are everywhere in film, TV, and wider pop culture. For the first time ever, they are being accepted by audiences and even showered with industry awards. We are finally accepting that women are--gasp--fully fledged human beings. How did we get to this point? Unlikeable Female Characters traces the evolution of highly memorable female characters, examining what exactly makes them popular, how audiences have reacted to them, and the ways in which pop culture is finally allowing us to celebrate the complexities of being a woman. Anna Bogutskaya, film programmer, broadcaster, and co-founder of the horror film collective and podcast The Final Girls, takes us on a journey through popular film, TV, and music, looking at the nuances of womanhood on and off-screen to reveal whether pop culture--and society--is finally ready to embrace complicated women. Praise for Unlikeable Female Characters: "Fascinating, insightful, and kick-ass." --Emma Jane Unsworth, internationally bestselling author of Grown Ups and Animals "Beautifully written." --Chelsea G. Summers, author of A Certain Hunger "Part-cultural exposé, part-Taylor Swift album." --Clarisse Loughrey, Chief Film Critic at The Independent "Brilliant masterpiece breaking down the tired tropes of TV and beyond." --Aparna Shewakramani, author of She's Unlikeable and star of Indian Matchmaking

Stephanie J. Shaw takes us into the inner world of American black professional women during the Jim Crow era. This is a story of struggle and empowerment, of the strength of a group of women who worked against daunting odds to improve the world for themselves and their people. Shaw's remarkable research into the lives of social workers, librarians, nurses, and teachers from the 1870s through the 1950s allows us to hear these women's voices for the first time. The women tell us, in their own words, about their families, their values, their expectations. We learn of the forces and factors that made them exceptional, and of the choices and commitments that made them leaders in their communities. What a Woman Ought to Be and to Do brings to life a world in which African-American families, communities, and schools worked to encourage the self-confidence, individual initiative, and social responsibility of girls. Shaw shows us how, in a society that denied black women full professional status, these girls embraced and in turn defined an ideal of "socially responsible individualism" that balanced private and public sphere responsibilities. A collective portrait of character shaped in the toughest circumstances, this book is more than a study of the socialization of these women as children and the organization of their work as adults. It is also a study of leadership of how African American communities gave their daughters the power to succeed in and change a hostile world."

From celebrated ballerina and New York Times bestselling author Misty Copeland, a heartfelt memoir about her friendship with trailblazer Raven Wilkinson which captures the importance of mentorship, shared history, and honoring the past to ensure a stronger future. Misty Copeland made history as the first African-American principal ballerina at the American Ballet Theatre. Her talent, passion, and perseverance enabled her to make strides no one had accomplished before. But as she will tell you, achievement never happens in a void. Behind her, supporting her rise was her mentor Raven Wilkinson. Raven had been virtually alone in her quest to breach the all-white ballet world when she fought to be taken seriously as a Black ballerina in the 1950s and 60s. A trailblazer in the world of ballet decades before Misty's time, Raven faced overt and casual racism, hostile crowds, and death threats for having the audacity to dance ballet. The Wind at My Back tells the story of two unapologetically Black ballerinas, their friendship, and how they changed each other--and the dance world--forever. Misty Copeland shares her own struggles with racism and exclusion in her pursuit of this dream career and honors the women like Raven who paved the way for her but whose contributions have gone unheralded. She celebrates the connection she made with her mentor, the only teacher who could truly understand the obstacles she faced, beyond the technical or artistic demands. A beautiful and wise memoir of intergenerational friendship and the impressive journeys of two remarkable women, The Wind at My Back captures the importance of mentorship, of shared history, and of respecting the past to ensure a stronger future.

Historian Laura Lovett weaves together a biography of an activist who was intersectional to the core revealing a remarkable legacy that few have known until now and will appeal to readers interested in urban studies, activism, and Black women's history. Dorothy Pitman Hughes was a transformative community organizer in New York City in the 1970s, who shared the stage with Gloria Steinem for five years, captivating audiences around the country. After leaving rural Georgia in the 1950s, she moved to New York, determined to fight for civil rights and equality. Lovett traces Pitman Hughes' transformation into a powerhouse activist determined to take on the needs of her community and build a platform for empowerment. She created lasting change by revitalizing her West Side neighborhood, a community subjected to racial discrimination, with nonexistent childcare and sub-standard housing, in which poverty, drug use, lack of job training, and the effects of the Vietnam War were evident She imagined and then created a high quality child care center which also offered job training, adult education classes, a Youth Action corps, housing assistance and food resources. Pitman Hughes' realization that the area could be revitalized by actively engaging and including the community was prescient and is startlingly relevant. As her stature and influence grew to a national level, Pitman Hughes went from the West Side to spending several years traversing the country with Steinem and educating people about feminism, childcare, and race. Pitman Hughes's community activism was transformed when she moved to Harlem in the 1970s to counter gentrification. She bought the franchise to the Miss Greater New York City pageant in order to demonstrate that black was beautiful. She also opened an office supply store and became a powerful voice for Black women entrepreneurs and Black-owned business only to be thwarted by plans for economic development that favored national chains over local businesses. Throughout every phase of her life, Pitman Hughes' understood the transformative power of activism with the Black community.

From the New York Times, USA Today, and Wall Street Journal bestselling author of The Radium Girls comes another dark and dramatic but ultimately uplifting tale of a forgotten woman hero whose inspirational journey sparked lasting change for women's rights and exposed injustices that still resonate today. 1860: As the clash between the states rolls slowly to a boil, Elizabeth Packard, housewife and mother of six, is facing her own battle. The enemy sits across the table and sleeps in the next room. Her husband of twenty-one years is plotting against her because he feels increasingly threatened--by Elizabeth's intellect, independence, and unwillingness to stifle her own thoughts. So he makes a plan to put his wife back in her place. One summer morning, he has her committed to an insane asylum. The horrific conditions inside the Illinois State Hospital in Jacksonville, Illinois, are overseen by Dr. Andrew McFarland, a man who will prove to be even more dangerous to Elizabeth than her traitorous husband. But most disturbing is that Elizabeth is not the only sane woman confined to the institution. There are many rational women on her ward who tell the same story: they've been committed not because they need medical treatment, but to keep them in line--conveniently labeled "crazy" so their voices are ignored. No one is willing to fight for their freedom and, disenfranchised both by gender and the stigma of their supposed madness, they cannot possibly fight for themselves. But Elizabeth is about to discover that the merit of losing everything is that you then have nothing to lose... Bestselling author Kate Moore brings her sparkling narrative voice to The Woman They Could Not Silence, an unputdownable story of the forgotten woman who courageously fought for her own freedom--and in so doing freed millions more. Elizabeth's refusal to be silenced and her ceaseless quest for justice not only challenged the medical science of the day, and led to a giant leap forward in human rights, it also showcased the most salutary lesson: sometimes, the greatest heroes we have are those inside ourselves. Praise for The Woman They Could Not Silence: "Like Radium Girls, this volume is a page-turner."--Library Journal, STARRED review "A veritable tour de force about how far women's rights have come and how far we still have to go...Put this book in the hands of every young feminist."--Booklist, STARRED review "In Moore's expert hands, this beautifully-written tale unspools with drama and power, and puts Elizabeth Packard on the map at the most relevant moment imaginable. You will be riveted--and inspired. Bravo!"--Liza Mundy, New York Times bestselling author of Code Girls

#1 NEW YORK TIMES BESTSELLER * A "stunning" (America Ferrera) YA novel about a teenager coming to terms with losing her sister and finding herself amid the pressures, expectations, and stereotypes of growing up in a Mexican American home. "Alive and crackling--a gritty tale wrapped in a page-turner. "--The New York Times Perfect Mexican daughters do not go away to college. And they do not move out of their parents' house after high school graduation. Perfect Mexican daughters never abandon their family.   But Julia is not your perfect Mexican daughter. That was Olga's role.   Then a tragic accident on the busiest street in Chicago leaves Olga dead and Julia left behind to reassemble the shattered pieces of her family. And no one seems to acknowledge that Julia is broken, too. Instead, her mother seems to channel her grief into pointing out every possible way Julia has failed.   But it's not long before Julia discovers that Olga might not have been as perfect as everyone thought. With the help of her best friend Lorena, and her first love, first everything boyfriend Connor, Julia is determined to find out. Was Olga really what she seemed? Or was there more to her sister's story? And either way, how can Julia even attempt to live up to a seemingly impossible ideal?

"Sisters in Arms is heartwarming but fierce, a novel brimming with camaraderie and fire, starring women you'd love to make your friends. Prickly, musical Grace and bubbly, privileged Eliza may not make the most natural allies, but it's fight or die when they're thrown together in the Army's first class of female officers--and the first Black women allowed to serve their country in World War II. . . . Kaia Alderson's debut is a triumph!"--Kate Quinn, New York Times bestselling author of The Rose Code. Kaia Alderson's debut historical fiction novel reveals the untold, true story of the Six Triple Eight, the only all-Black battalion of the Women's Army Corps, who made the dangerous voyage to Europe to ensure American servicemen received word from their loved ones during World War II. Grace Steele and Eliza Jones may be from completely different backgrounds, but when it comes to the army, specifically the Women's Army Auxiliary Corps (WAAC), they are both starting from the same level. Not only will they be among the first class of female officers the army has even seen, they are also the first Black women allowed to serve. As these courageous women help to form the 6888th Central Postal Directory Battalion, they are dealing with more than just army bureaucracy--everyone is determined to see this experiment fail. For two northern women, learning to navigate their way through the segregated army may be tougher than boot camp. Grace and Eliza know that there is no room for error; they must be more perfect than everyone else. When they finally make it overseas, to England and then France, Grace and Eliza will at last be able to do their parts for the country they love, whatever the risk to themselves. Based on the true story of the 6888th Postal Battalion (the Six Triple Eight), Sisters in Arms explores the untold story of what life was like for the only all-Black, female U.S. battalion to be deployed overseas during World War II.

Inheriting a cocoa plantation in Vinces, Ecuador, that someone will kill for, Puri, after her husband is murdered, assumes his identity to search for the truth of her fathers legacy and learn the identity of the enemy who stands in her way of claiming her birthright.Puri inherited her passion for chocolate from her father. At his death she learns shes inherited a cocoa estate in Vinces, Ecuador. Eager to claim her birthright and filled with hope for a new life after the devastation of World War I, she and her husband Cristóbal set out across the Atlantic Ocean. But someone is angered by Puris claim to the estate, and a mercenary sent to murder her aboard the ship accidentally kills Cristóbal instead. Puri assumes his identity, hoping to stay safe while she searches for the truth of her fathers legacy in Ecuador. At the estate she finds siblings, hidden affairs, and her fathers dark secrets. -- adapted from back cover